Adaptation and Inspiration (with icing on top): Actor Matthew Stuart Jackson

photo credit courtesy of Bryan Sullivan

Matthew Stuart Jackson is an actor, writer, standup comedian, and voiceover artist currently living in Fayetteville, NC. He loves pizza, cats, and (for some weird reason) mowing the lawn, and he hates scratched DVDs, wet socks, and getting logged out of his accounts arbitrarily.

“Tribes” by Nina Raine at Portland Stage Company


3 Things you can’t live without & why: I don’t mean to be impolite or think that I know better, but I’m going to reject the premise of this question. I’d like to flip it so that we see it from the positive angle, rather than a scarcity-mindset. Artists spend so much of their lives with a scarcity outlook, that I actively try to see the positive, and what plenty I have in my life. So here are three things that make my life richer. [Ed note: I appreciated Matthew’s take on this so much that I asked if I could borrow it. The reframe will feature in future Q&As!]

A) My family. My wife, also an artist; my sister, who is also an artist and teacher; and my parents, who are life-long teachers and academics. They are also artists in their own right (or own write, if it’s my dad).  My entire family has been so supportive of my creative journey; I will be eternally grateful for their encouragement.

B) My mom’s home-made pizza. She makes the dough from scratch. She gave me the recipe, and I can make a good pizza, but it somehow NEVER matches hers. She’s the Queen.

C) Rain. I just love the rain. I grew up in Washington State, which everyone thinks is super rainy, but that’s only the western part. I grew up in the eastern part, where it’s remarkably dry (we’re basically neighbors to a desert). But I went to college and then subsequently lived in Western Washington, and I just love the rain there. I also love the rain in North Carolina. While Western Washington rain is the tortoise (slow and steady for about nine months out of the year), the rain in NC means BUSINESS. I love how hard it rains here. And for all you folks who don’t like getting wet, here’s a quote from my wife’s grandma: “I won’t melt. I’m not made of sugar.”

Local artist (any genre) you admire My instinct is to name my wife, Ella Wrenn, because theatre administrators–ie, the ones who HIRE all the artists–don’t get nearly enough credit. But I’ve been told that I’m not allowed to choose her, so I’m going to go with Marc de la Concha. He’s the Director of Education at Cape Fear Regional Theatre, and I am simply astounded by the work he does. The talent he fosters, the productions he creates, and the classes he offers… it’s incredible. THEN you add on top of that his live performances (did y’all see “Shrek”?) – I can’t get through a performance with Marc in it without crying. Either he’s so moving and truthful that it moves my soul, or he’s so flipping funny that my eyes leak with laughter. That man is a gem, and we are so lucky to have him in this town.

What is one of your current artistic experiments? I currently work at The Sweet Palette, peddling cupcakes. I just sell them–I am not nearly talented enough to make them. But the reason I even got this job was because they have this incredible gallery/performance space, and CFRT did a show there that I was in, and so I got to know them over a few weeks. When they started getting more business after Covid and needed more staff, they hired me to sling desserts, with the goal that we could really start using their gallery to its full potential. I’m really excited about what we can start hosting in that space, and what creativity will be born in that room.

What changed about your practice in 2020? Will you keep this change? Man. Everything changed. I felt like I was really gaining momentum and making headway into the voiceover industry, and then Covid hit, and every single film and stage actor turned to the only thing that was still available: voiceover. The demand stayed the same, and the supply skyrocketed. I had to get *gasp* a “real” job. That job was terrible terrible (don’t worry, it wasn’t Sweet Palette), and it was honestly a pretty bad time to be an actor. My hope is that I can merge this current position at Sweet Palette to cultivate more creativity.

photo credit courtesy of Abacus Entertainment

Where do you practice your art? Describe your work space. The most work I do is in my “booth”. It’s the closet of our guest room, and I’ve converted it into a recording studio. I’ve padded the walls, trying to dampen the sound, and have set up my little nest in there. It’s janky, and I love it. 

How do you find your subject (next piece, idea, voice)? This is still in flux, and I think it might be for a while. Adapting is never easy, but it’s always necessary. I’m just trying to keep my eyes and ears open for new opportunities, now that the world is starting to open up. My guess is that it will be a partnership with Sweet Palette and their space, and we create something together.

Advice to newer artists in your genre. Listen, and be humble. The minute you think you know better than someone is the minute you become unpleasant to work with. Every person you encounter is an opportunity to learn, as long as you listen to them. 

Sweet and Salty: “The Cake” at CFRT

“The Cake”, a play by Bekah Brunstetter, is my favorite kind of theater: hilarious, heart-warming, and profoundly topical. I was going to say it was like pineapple upside down cake, which is my favorite kind of cake, but I couldn’t figure out the topical part: maybe it’s the maraschino cherries?

Cape Fear Regional Theatre, the crown jewel of theater in Fayetteville*, is currently running this show. It was our first show to see after moving to town. I was really excited to see it on the season list, as it is the type of play that pushes the envelope for a Southern, relatively conservative theater audience. But that’s what theater is for, right? To wake up viewers, cause them to think about long-held beliefs, empathize with characters, and maybe realize we all have common human traits.

This production tickles the funny bone as much as it twinges the heart-strings. Brunstetter has drawn authentically complex characters and this cast brings them delightfully to life. I rooted for Della and Tim as much as for Jen and Macy. Love is love is love.

Since the play is an intimate one–four characters, minimal number of sets needed–CFRT brought the audience onto the regular proscenium stage, building risers to accommodate seating around the glorious set. The bakery is, dare I say, a confectionery, all pastels and gingerbread trim. The prop cakes were stunning, thanks to the handiwork of Susannah-Lee Wagner, props artisan. The turntable bedroom and upstairs loft space are breath-taking in such close quarters. Jimmy Bennett’s costumes and Dan Robbins’ lights help establish character and mood.

And I have to give a shout-out to the crack stage management team! Scene transitions can make or break a show and they were efficient and focused, even fixing a set dressing snafu in between scenes. Credit where credit’s due, y’all: I didn’t notice a missed light or sound cue, transitions were quick, and everything moved smoothly. This is the mark of fine theater craftsmanship, just as much as what the actors do on stage.

The proverbial icing on the cake is the actual cake served up post-show, thanks to local bakery Sweet Palette (another huge arts supporter that we’ll profile later). I do hope that CFRT can find other ways to work in partnering with different local businesses for future shows. Complimentary mud facials for Shrek, perhaps?

*The other theaters are jewel-like in their own ways. More on them soon.