Listening and Learning: Singer-Songwriter Lisette

The artistic bio: Blending elements of dark alternative pop with orchestral instrumentation and electronic production, Lisette creates colorful, cinematic soundscapes that are enhanced by her powerful vocals. She is a singer-songwriter born from early influences of rock, alternative, indie pop, and her love for classical music and film scores. Her music is comparable to the likes of Evanescence and BANKS. She began writing songs at 15 and performed at music venues and open mics around her home state of North Carolina. While studying music business and popular music in college, she stumbled upon her love for producing and she released her debut single “Run This Far” in 2018. Lisette won ‘Best Rock Female’ at the 2019 Carolina Music Awards.

Lisette captivates audiences with her haunting voice and lyrical poetry that flows within her songs. Her debut EP Beneath the Surface released November 1, 2019.

Favorite Local Third Place: The Coffee Scene or Rude Awakening! Dirtbag Ales is also one of my favorite nighttime spots.

3 Things you can’t live without: My cat, piano, and acoustic guitar

EP release at the Arts Council of Fayetteville/Cumberland County, Nov 2019.

Local artist (any genre) you admire: Lauren Light. She’s actually from Greensboro, NC but I’d still say she’s considered local. She’s a pop singer-songwriter, co-founder of twoOhsix Music, and also runs a podcast called “The Enlightened Musician,” which focuses on the music business and turning your art into a successful business. 

A practice you’ve started during quarantine that you plan to continue: Lately I’ve been making my morning cup of coffee and sitting on my deck to read and/or journal (if it’s not too hot!). I’ve really been enjoying that morning ritual to clear my mind and feed my imagination before work.

What is one of your current artistic experiments? I actually just finished recording an acoustic version of my debut EP Beneath the Surface with my good friend cellist Justin Mackey. The production of the original EP was electronic pop with cinematic elements and I really wanted to strip everything back and focus on the raw emotions and lyrics of each song. We took each of the five songs and reimagined them using organic instruments such as acoustic guitar, piano, and cello.

Lisette and Justin Mackey.

Who is someone who encouraged or championed your artwork? My parents have always encouraged me to reach for the stars when it comes to my music. Neil Donnell Ray, who is a pillar of the Fayetteville music scene and hosts The Coffee Scene’s Open Mic Night, has always been a big supporter of mine since I began performing there when I was 16. He’s been around through the years to see my growth as an artist and has always encouraged me. Also, my college music professor Dr. David Lee Fish, cellist Justin Mackey, and, of course, my friends.

What advice would you give to new/younger/less experienced artists in your genre? If you want to make a full time living from being an artist, learn as much as you can. Not only about music in general or your instrument of choice but also about the music business itself. In this day and age, it’s crucial to be well rounded and knowledgeable about branding, marketing, social media, booking practices, etc. Gone are the days where record labels develop artists and help them build their fan base. They want to sign artists who have their own following and brand, which they can then help them to achieve even higher heights. With that said, these days you don’t even need a record label to be successful. Social media and the internet has completely changed the game and any artists in any location or any genre can be successful if they have the right tools. Remember, if you don’t know how to do it yourself you will have to pay someone else to do it for you. This is why I’ve taught myself music production, graphic design, video editing, website design, photography, etc on top of getting my Bachelors degree in Music Business and Popular Music.


Merry Musician Michael Daughtry

The professional bio: Michael Daughtry is a singer/songwriter from North Carolina. He graduated from Berklee College of Music (magna cum laude) where he received several performer/songwriter awards for his infectious song crafting. He gigged at the Charles Playhouse periodically for Blue Man Group performances in Boston. His current songs reflect the trials and joys of life. He has recently received recognition from artists such as John Ford Coley, Derek Trucks, Edwin McCain, Luenell, Guy Torry, Jocko Sims, Bleu, Dale Baker (Sixpence None the Richer), and Mark Bryan of Hootie and the Blowfish. He has performed for fifty and fifty thousand in his career. He teaches acoustic guitar and piano. 

Favorite Local Third Place: My mom and dad’s house.

3 Things you can’t live without: Peanut Butter, my Calendar, Coffee

Local artist (any genre) you admire: Wow it’s hard to pick just one, but El’Ja Bowens

A practice you’ve started during quarantine that you plan to continue: Online private music instruction

What is one of your current artistic experiments? Get the Drift. It’s a half hour weekly life streaming event with music, recurring segments, games, and ridiculousness. 

Who is someone who encouraged or championed your artwork?: The living legend that is Neil Ray!

What advice would you give to new/younger/less experienced artists in your genre?
Write out a few one year, five year, and ten year goals. Keep them to yourself (or share with a trusted love one). Make friends with at least a few folks who share your goals. Find mentors!

Collaboration leads to Connection: Wilson and Ray new concept album

What are you looking for/
Love Hope Happiness/
Everything else they sell at the store

-from the song “Oh Dang”

It’s fitting — in a weird 2020 way — that the first new article of the year is about the same artist as the last new article, published a year ago. Shane Wilson, FTW. That experimental cd we wrote about? It’s out today, July 3! The Blue Ridge Connection, Volume 1 uses original songs and poetry to tell the story of a young man named Martin who goes into the western North Carolina mountains in search of answers to some of life’s most perplexing questions. (Hint: there may be shrooms involved in answering some of them.)

The Blue Ridge Connection is an evolving collective of artists brought together by the magic of the western North Carolina mountains. This iteration is a collaborative effort between Neil Ray (percussion and poetry), Shane Wilson (vocals, guitar, lyrics), Michelle Winfrey (vocals), and Drea Dreiling (violin).

Fans of Shane’s writing or Neil’s spoken word poetry will not be disappointed. Both are equally featured throughout the tracks. The Blue Ridge Connection, Volume 1 is available on all major streaming platforms or can be purchased directly from Shane’s website.

Shane Wilson, with Sequoia Rising partner Jerry Smith

Dr. Daniel Montoya is a Modern Day Renaissance Artist-Scientist

Dr. Montoya at LeClair’s General Store

It doesn’t come as any surprise that a neuroscientist–someone who studies the way the brain works for a living–would be interested in the concept of Resonance. “It’s the goal of many people vibrating at the same frequency,” Dr. Montoya grins, “and I’ve experienced it with music.” He researches the idea of consciousness from a cognitive psychological standpoint, but philosophy and arts are never far from his scientific work.

Dr. Montoya hails from Argentina, where he started playing guitar at twelve. When he was seventeen, he volunteered to work a visit from the Pope. Eventually, the music and religion overlapped when he started writing and playing music for churches here in America. Religious music is designed to lead to resonance within the congregants.

His creative muse is Electronic music and his latest album is Space Songs for Earthy People. He creates the ethereal tunes on the computer, records vocals on his iPad in found spaces, and overlays more traditional instruments to make the sound full and rich. Getting caught in the bain of the artist’s life — when is the work done? when is it finished? — is not helped by the computer. “I’m endlessly tweaking,” he chuckles.

Another aspect of Dr. Montoya’s love of music is working as a deejay, spinning ambient, house, new age, trap, and other genres of electronic music. One of his favorite musicians is David Bowie, not only because of his constant learning and reinventing, but because of Bowie’s business acumen. “You have to learn to do it all as an artist today,” Dr. Montoya says, “No one else will look after your business like you will.”

photo from Arts Council of Fayetteville/Cumberland County Block Party.

A devoted community member, Dr. Montoya participated in a local board training program, and was selected to work with the Arts Council of Fayetteville/Cumberland County on their Board of Directors. He is also a member of the Arts Council’s CMAC (Cumberland Makers and Creatives) team, which focuses on networking, training, and supporting independent artists of all forms in our neighborhood. “I’m excited about things that are happening [in Fayetteville], the people, the vision,” he remarked.

“Minor Mood”, Major Chops: The All American Jazz Collective

Imagine eating lunch under the shade of an old oak tree, the mellow sounds of John Coltrane or Thelonious Monk wafting around you from a quintet sitting adjacent in the park. How melodious. How cosmopolitan. How All American.

Well, I have news for you: You can do just such a thing on the campus of Fayetteville Technical Community College (FTCC) every other Friday this coming fall when the All American Jazz Collective starts playing again. This loose quintet–sometimes a quartet, sometimes a sextet or more–plays on campus as well as various community gathering places around Fayetteville.

Jazz has a long history in the state. Coltrane hailed from High Point, Monk from Rocky Mount. Nina Simone is from Tryon, Billy Strayhorn spent formative years in Hillsborough. The NC Arts Council maintains a trail through eastern North Carolina dedicated to these luminaries and their stories. Perhaps we can get Fayetteville on the map: trumpeter Waymon Reed is from here. So the All American Jazz Collective is carrying on a proud North Carolinian tradition.

All American Jazz Collective
One lineup of the AAJC, Pappas far left, Carey in middle. Photo courtesy Anthony Russell.

AAJC started performing together in the fall of 2017. Co-founder Daniel Pappas mused, “Fayetteville had lots of R&B or Smooth jazz, even some fusion, but we wanted to do traditional jazz music.” Pappas moved here five years ago to teach and now runs the music department at FTCC. Jazz wasn’t his main musical focus before teaching at FTCC. “I felt I could speak about it better if I played it,” he chuckled. And with the wide spectrum of jazz styles, musicians, and songs to choose from, there is always something to play or to improvise around.

Jenne Carey, also a recent transplant to Fayetteville, and vocal instructor with FTCC, sings with AAJC. Jazz isn’t her background either–she’s a classically trained opera singer–but she jumped at the chance to grow her skills and range. “Ellington, Gershwin: these composers fused jazz with classical,” she enthused. The other members of the Collective vary from performance to performance. The March 2019 lineup at Holy Trinity included Jay Locklear on piano, Landon Oliver on organ, Anthony Russell on drums, and Willie Lockett (who is a former 82nd Airborne Bandmaster) on bass.

In addition to private functions, the AAJC has played at the opening of the Hope Mills Lake and with Sweet Tea Shakespeare. “I wish there was a jazz club here,” Pappas said. Hence the Friday Jazz Lunches and other community performances. Perhaps the new Jazzio’s restaurant on Bragg Blvd might be interested in the group to perform…

AAJC is an exciting contribution to the Fayetteville music scene. Pappas mentioned he was particularly enthusiastic about the Cape Fear New Music Festival, held at Methodist University in the Spring. Both Methodist and Fayetteville State University have strong music programs, including jazz studies. All these musical connections between educational establishments, bands, and individuals will make our city sound that much more rhythmic.