The professional bio: Michael Daughtry is a singer/songwriter from North Carolina. He graduated from Berklee College of Music (magna cum laude) where he received several performer/songwriter awards for his infectious song crafting. He gigged at the Charles Playhouse periodically for Blue Man Group performances in Boston. His current songs reflect the trials and joys of life. He has recently received recognition from artists such as John Ford Coley, Derek Trucks, Edwin McCain, Luenell, Guy Torry, Jocko Sims, Bleu, Dale Baker (Sixpence None the Richer), and Mark Bryan of Hootie and the Blowfish. He has performed for fifty and fifty thousand in his career. He teaches acoustic guitar and piano.
Favorite Local Third Place: My mom and dad’s house.
3 Things you can’t live without: Peanut Butter, my Calendar, Coffee
Local artist (any genre) you admire: Wow it’s hard to pick just one, but El’Ja Bowens
A practice you’ve started during quarantine that you plan to continue: Online private music instruction
What is one of your current artistic experiments? Get the Drift. It’s a half hour weekly life streaming event with music, recurring segments, games, and ridiculousness.
Who is someone who encouraged or championed your artwork?: The living legend that is Neil Ray!
What advice would you give to new/younger/less experienced artists in your genre? Write out a few one year, five year, and ten year goals. Keep them to yourself (or share with a trusted love one). Make friends with at least a few folks who share your goals. Find mentors!
Since it’s my birthday, I thought I’d write about some of the things art-related I adore about my home here in Fayetteville, NC. When we moved here in Jan 2019, I figured there would be a thriving arts scene, since the Arts Council here is so active. But as I’ve gotten to know the artists who call the “City of Misfits” home, the depth and breadth of art here takes my breath away. For a small Southern city filled with a young, fairly transient population, Fayetteville is an incredibly creative place to be. Supporting these artists and this community is truly a gift to myself.
Downtown Public Art: downtown Fay continues to steadily “glow-up,” as the kids say. Part of the transformation is the public art that is on display throughout the area. A few pieces are permanent installations (“Winged Glory” by Jack Howard-Potter at CFVH Medical Arts building, Venus Flytrap at edge of Person St), but many are temporary, which adds to the delight of visiting downtown on a regular basis to discover something new. And I can’t forget the incredible mural on the rear of the Capitol Encore building (which is actually the school’s entrance)! It’s easily one of the best places for sweet selfie action.
Cumberland County Library Art Collection: Did you know the library houses an incredible art collection and regularly puts pieces on display? I want to do an entire post/series on this amazing asset. I mean, the library system here is an incredible asset all on its own, and to have the art on top of that? ::mimes mind-blowing::
Open Mic night at The Coffee Scene: this was my first inkling of how varied and talented the artists are here in Fayetteville. If you’re not checking out this Sunday/Monday night event, usually hosted by the Godfather of Poetry Neil Ray, you’re missing out. Check the Fb page for when they livestream if you can’t be there in person (once we’re post-Covid restrictions).
Sweet Tea Shakespeare: I have a feeling if the Bard were suddenly transported to modern-day Fayetteville (I cannot WAIT for the next Bill&Ted’s movie!), he would adore this inventive theater company and the all-encompassing productions they are known for. STS shows are on the edge of being immersive theater (their drunk Shakespeare show arguably are immersive theater) and you want to show up early and pay attention through intermission so you don’t miss any of the character interaction/musical numbers/actor banter going on. They’re trying very hard to offer additional expansive content right now during Pandemic 2020 and I can’t wait to see what brilliant artistic exploits will happen once theater goes live in-person again. Do yourself (and them) a favor: become a Patreon supporter and get access and insider perks!
LeClair’s General Store: I love soaking in the laid-back creative vibe of this coffeehouse/vintage goods/handmade art shop. Perfect for solopreneur working, small group meetings, or pre-theater drinks (it is right across from Cape Fear Regional Theater). Pat and his team do an exquisite job curating and displaying beautiful merch.
Fayetteville Symphony Orchestra: I have loved classical music since I got my first cd: Beethoven’s 5th Symphony with my first boombox, Christmas of 1990 (such an arts nerd from a very early age). So of course I am thrilled to have the FSO here in town. Their season typically has 6-8 concerts performed at venues around town, including Methodist and Fayetteville State Universities. Maestro Stefan Sanders does an incredible job illuminating audiences about the BTS of classical music.
Cape FearBotanical Gardens: Visiting the BoGardens is always visually inspiring, any time of year. The holiday lights tour was so much fun; the touring sculpture show was like a scavenger hunt for adults. It’s easy to spend a morning here, meandering the paths and enjoying the different gardens. There’s even a mini-amphitheater, which I’d love to see used for some theater performances (I know it’s happened in the past, but I haven’t personally taken one in yet)!
These are just off the top of my head, in no particular order, and reflect the tiniest portion of the breadth of art available here in Fayetteville. After the pandemic is over, I’ll celebrate my birthday in high style by visiting all of these, and more!
El’Ja Bowens is one of the most relentlessly positive people I know: he encourages everyone he meets, raises up other artists, and is consistently working on his own craft and helping grow the spoken word/poetry slam scene here in Fayetteville and across the state. “Purpose over Popularity” is his guiding mantra, yet his focus and kindness makes El’Ja one of the most popular artists around town. He celebrates his birthday at the end of July! Show him some love by attending one of his virtual events and purchasing his work. Don’t forget to follow him on the socials for the October release of his upcoming book 3:10: A Poetic Journey Through Life Hacks
The professional bio: LeJuane (El’Ja) Bowens is an award-winning spoken word artist, poet, speaker, and author.He is also the first poet to have his work in the Obama Art Museum located in Raleigh, NC (the first and only of its kind in North Carolina). In 2014, he was recognized as the first ever NC Poet to compete in three major Grand Slam Finals in three different cities in North Carolina the same year. He is the founder/director for the Southeast Regional NC Poetry Festival in Fayetteville, NC and he has featured on Poetry Slam Inc and All Def Poetry on YouTube. He also hosts Nerd Slam competitions at numerous comicons across the US. Cashapp: $eljapoetry
3 Things you can’t live without: Family, creativity, and faith
Local artist (any genre) you admire: Hands down: Neil Ray. He is a mentor of mine and many others and he is one of the few that gave Fayetteville the poetry scene. He is considered the Godfather of Poetry and many writers in the area would agree that he earned that title.
A practice you’ve started during quarantine that you plan to continue: Playing the guitar. Been at it for a month and a half now so I can only go up from here.
What is one of your current artistic experiments: Online events. I’ve been able to create two events: one being based off of nerd discussion while the other interviews artists from all artforms. I was blessed to have Tony Todd from “Final Destination” and “Candyman” to be our first guest and there are many more to come.
Who is someone who encouraged or championed your art work: My wife, Monica Haynes Bowens. She’s always motivating me, always challenging me. She knows how to pull out what I need to create at the moments when I don’t see it.
What advice would you give to new/younger/less experienced artists in your genre? Keep writing, keep creating. Greatness does not come overnight and the more you give yourself goals to accomplish, the better it is for you to not become stagnant.
“What are you looking for/ Love Hope Happiness/ Everything else they sell at the store“ -from the song “Oh Dang”
It’s fitting — in a weird 2020 way — that the first new article of the year is about the same artist as the last new article, published a year ago. Shane Wilson, FTW. That experimental cd we wrote about? It’s out today, July 3! The Blue Ridge Connection, Volume 1 uses original songs and poetry to tell the story of a young man named Martin who goes into the western North Carolina mountains in search of answers to some of life’s most perplexing questions. (Hint: there may be shrooms involved in answering some of them.)
The Blue Ridge Connection is an evolving collective of artists brought together by the magic of the western North Carolina mountains. This iteration is a collaborative effort between Neil Ray (percussion and poetry), Shane Wilson (vocals, guitar, lyrics), Michelle Winfrey (vocals), and Drea Dreiling (violin).
Fans of Shane’s writing or Neil’s spoken word poetry will not be disappointed. Both are equally featured throughout the tracks. The Blue Ridge Connection, Volume 1 is available on all major streaming platforms or can be purchased directly from Shane’s website.
You ever go back to a place you used to visit a lot — a school, or theater, or music club — but then didn’t for, like, a year?
Yeah, that’s kinda what I feel like right now.
Last July I contracted with a local arts org for a paid full-time temp job, which was great for paying off my undergrad student loan (yay!), not so great for focused editorial content.
Then, in January, this Jellybean joined our family, so the first half of 2020 has been busy with her. And staying healthy from the global pandemic. And sorting out how we can be anti-racist. And watching entirely too much Food Network.
So, here we are, July. Let’s pick up where we left off, huh?
There are still amazing local artists of all genres doing really interesting, indeed inventive artwork during quarantine.
Shane Wilson is a story-teller. It doesn’t quite matter what format those stories come in. Short stories. Novels. Plays. Songs. Podcasts. Shane’s always looking for the story and figuring out how to share it.
Shane moved to Fayetteville in 2014, “for love. But it didn’t work out.” he says. (Another story) By day, he teaches in the English Department at Fayetteville Technical Community College. By night, he works on his own creations. He’s released two novels to date: A Year Since the Rain and The Smoke in His Eyes. A third is with his editor while he’s writing the first draft of a fourth. There are numerous short stories, including “The Boy Who Kissed The Rain”, which he adapted into a stage play after it won the 2017 Rilla Askew Short Fiction Prize.
Then there’s Sequoia Rising, Shane’s band with fellow musician Jerry Smith. “I decided to learn to play guitar when I wrote Smoke,” Shane explained, “and then the muse hit me with the song “Before We Fade Away”.” Again, they are most interested in telling their own stories through their music. That led Shane to a writer’s retreat over the summer at an isolated artists’ cabin in the NC mountains. “I came back with an entire album’s worth of songs,” Shane grinned. (yet more stories)
When I asked whether he considers himself a “teaching artist” or a “teacher and artist”, he admitted he “tried to compartmentalize but it’s absurd to think parts don’t creep into the classroom.” He loves teaching and knew from an early age he wanted to be in the classroom, partially because he had formative educational experiences in school with his own English and Literature teachers. “They allowed me to think differently and acknowledged my capacity for weird or out of the box thinking.” He tries to do the same for his community college students. “These are the people who need me: they need an advocate in academia.”
In addition to his own artistic work, Shane is interested in collaborating with other artists on interesting projects. Fayetteville has quite a few local authors and Shane helped pull many of them together in December 2018 to partake in a literary scavenger hunt, leaving copies of their books downtown and encouraging the finders to post pictures with the hashtag #freereadsfay. He can often be found at Java Expressions Live, the longest running open mic in Fayetteville (yet more stories), at The Coffee Scene on Sunday and Monday evenings, trying out new tunes or talking with founder/master of ceremonies Neil Ray about some new act or idea.
When asked what he is most excited about about Fayetteville, Shane commented on how “there are different pockets, something to cohere to but everybody has their own identity.” He talked about downtown’s regrowth and how there is a growing sense of an artistic and cultural community here. Much like the general atmosphere at Java Expressions, Fayetteville itself has a “If I can dream it, I can do it” vibe going on right now. Artists, teachers, collaborators like Shane play a huge role in that.
It doesn’t come as any surprise that a neuroscientist–someone who studies the way the brain works for a living–would be interested in the concept of Resonance. “It’s the goal of many people vibrating at the same frequency,” Dr. Montoya grins, “and I’ve experienced it with music.” He researches the idea of consciousness from a cognitive psychological standpoint, but philosophy and arts are never far from his scientific work.
Dr. Montoya hails from Argentina, where he started playing guitar at twelve. When he was seventeen, he volunteered to work a visit from the Pope. Eventually, the music and religion overlapped when he started writing and playing music for churches here in America. Religious music is designed to lead to resonance within the congregants.
His creative muse is Electronic music and his latest album is Space Songs for Earthy People. He creates the ethereal tunes on the computer, records vocals on his iPad in found spaces, and overlays more traditional instruments to make the sound full and rich. Getting caught in the bain of the artist’s life — when is the work done? when is it finished? — is not helped by the computer. “I’m endlessly tweaking,” he chuckles.
Another aspect of Dr. Montoya’s love of music is working as a deejay, spinning ambient, house, new age, trap, and other genres of electronic music. One of his favorite musicians is David Bowie, not only because of his constant learning and reinventing, but because of Bowie’s business acumen. “You have to learn to do it all as an artist today,” Dr. Montoya says, “No one else will look after your business like you will.”
A devoted community member, Dr. Montoya participated in a local board training program, and was selected to work with the Arts Council of Fayetteville/Cumberland County on their Board of Directors. He is also a member of the Arts Council’s CMAC (Cumberland Makers and Creatives) team, which focuses on networking, training, and supporting independent artists of all forms in our neighborhood. “I’m excited about things that are happening [in Fayetteville], the people, the vision,” he remarked.
An editor’s note is typically where they talk about what the reader will see in the upcoming pages, what they are particularly excited about, or how the issue came together. It’s a sneak peek into the editor’s world and usually the last thing to be written before the issue goes to press, so it feels very of-the-moment.
And my future editor’s notes may have more of that feel, as I get into a consistent groove with content coming in a predictable pattern. But I thought this first one might be a look into why this publication is so necessary here-and-now.
I moved here in January (six months ago as of this writing), knowing all of a handful of people and a smattering about the “top shelf” arts organizations in town.
Professional arts administration and arts advocacy tends to be a small world/network. There are lots of reasons for that: not every organization has the financial coffers to have paid staff, not every artist wants to engage in visible advocacy, not all studios or theaters have administration but function as co-ops, etc. I mention this only to highlight that the number of people I knew here really was small: I knew a couple of folks at the Arts Council, I was familiar with Cape Fear Regional Theatre’s work, and had heard of the Fayetteville Symphony Orchestra.
BUT. Oh, the but. Or rather — sticking with my improv training — a gigantic YES AND. Yes, there are CFRT and FSO. AND. There is Gilbert Theater and Sweet Tea Shakespeare. There is the All American Jazz Collective and the Fayetteville Jazz Orchestra. There are the Open Mic nights at the Coffee Scene. There is a phenomenal spoken word/poetry scene. There are more bands than you can shake a stick at: seriously, you could see a different band every week for a year and still probably not see them all. There are hundreds of visual artists showcasing in galleries and studios and coffeeshops and tea houses. There are makers popping up as vendors at monthly events and weekly farmers’ markets: glass and paper and jewelry and usable and wearable and simply beautiful. There are writers! Oh the writers! The library has a whole display of local authors and can’t fit them all on the shelf! There are artists working with fabric, collage, leather, graphite, keyboard (both kinds), and beads. Comic book people. Dancers. Photographers. Every time I think I’ve finished this paragraph, I keep thinking of someone else I’ve met who does something completely different.
And more. So many more. People who are giants in their respective artistic medium. People who are making art and teaching it. People who are making art while doing other work completely unrelated. People who are just starting out. People who have moved here because the Army brought them to Fayetteville. People who were born here and decided to come back after the Army or marriage or college or life took them away.
I would say it’s impossible to talk about just how much art there is in Fayetteville. But that’s exactly what I’m going to do here.
I’d love to hear from you: who is an artist you know? Maybe it’s you or your cousin or your uncle or your friend from church or the guy you knew before you retired from service. Leave a comment below or shoot me an email at email@example.com. There are so many stories to share. Color of Fayetteville celebrates all the creative artists and makers that call Cumberland County home.
Imagine eating lunch under the shade of an old oak tree, the mellow sounds of John Coltrane or Thelonious Monk wafting around you from a quintet sitting adjacent in the park. How melodious. How cosmopolitan. How All American.
Well, I have news for you: You can do just such a thing on the campus of Fayetteville Technical Community College (FTCC) every other Friday this coming fall when the All American Jazz Collective starts playing again. This loose quintet–sometimes a quartet, sometimes a sextet or more–plays on campus as well as various community gathering places around Fayetteville.
AAJC started performing together in the fall of 2017. Co-founder Daniel Pappas mused, “Fayetteville had lots of R&B or Smooth jazz, even some fusion, but we wanted to do traditional jazz music.” Pappas moved here five years ago to teach and now runs the music department at FTCC. Jazz wasn’t his main musical focus before teaching at FTCC. “I felt I could speak about it better if I played it,” he chuckled. And with the wide spectrum of jazz styles, musicians, and songs to choose from, there is always something to play or to improvise around.
Jenne Carey, also a recent transplant to Fayetteville, and vocal instructor with FTCC, sings with AAJC. Jazz isn’t her background either–she’s a classically trained opera singer–but she jumped at the chance to grow her skills and range. “Ellington, Gershwin: these composers fused jazz with classical,” she enthused. The other members of the Collective vary from performance to performance. The March 2019 lineup at Holy Trinity included Jay Locklear on piano, Landon Oliver on organ, Anthony Russell on drums, and Willie Lockett (who is a former 82nd Airborne Bandmaster) on bass.
In addition to private functions, the AAJC has played at the opening of the Hope Mills Lake and with Sweet Tea Shakespeare. “I wish there was a jazz club here,” Pappas said. Hence the Friday Jazz Lunches and other community performances. Perhaps the new Jazzio’s restaurant on Bragg Blvd might be interested in the group to perform…
AAJC is an exciting contribution to the Fayetteville music scene. Pappas mentioned he was particularly enthusiastic about the Cape Fear New Music Festival, held at Methodist University in the Spring. Both Methodist and Fayetteville State University have strong music programs, including jazz studies. All these musical connections between educational establishments, bands, and individuals will make our city sound that much more rhythmic.