Matthew Stuart Jackson is an actor, writer, standup comedian, and voiceover artist currently living in Fayetteville, NC. He loves pizza, cats, and (for some weird reason) mowing the lawn, and he hates scratched DVDs, wet socks, and getting logged out of his accounts arbitrarily.
3 Things you can’t live without & why: I don’t mean to be impolite or think that I know better, but I’m going to reject the premise of this question. I’d like to flip it so that we see it from the positive angle, rather than a scarcity-mindset. Artists spend so much of their lives with a scarcity outlook, that I actively try to see the positive, and what plenty I have in my life. So here are three things that make my life richer. [Ed note: I appreciated Matthew’s take on this so much that I asked if I could borrow it. The reframe will feature in future Q&As!]
A) My family. My wife, also an artist; my sister, who is also an artist and teacher; and my parents, who are life-long teachers and academics. They are also artists in their own right (or own write, if it’s my dad). My entire family has been so supportive of my creative journey; I will be eternally grateful for their encouragement.
B) My mom’s home-made pizza. She makes the dough from scratch. She gave me the recipe, and I can make a good pizza, but it somehow NEVER matches hers. She’s the Queen.
C) Rain. I just love the rain. I grew up in Washington State, which everyone thinks is super rainy, but that’s only the western part. I grew up in the eastern part, where it’s remarkably dry (we’re basically neighbors to a desert). But I went to college and then subsequently lived in Western Washington, and I just love the rain there. I also love the rain in North Carolina. While Western Washington rain is the tortoise (slow and steady for about nine months out of the year), the rain in NC means BUSINESS. I love how hard it rains here. And for all you folks who don’t like getting wet, here’s a quote from my wife’s grandma: “I won’t melt. I’m not made of sugar.”
Local artist (any genre) you admire My instinct is to name my wife, Ella Wrenn, because theatre administrators–ie, the ones who HIRE all the artists–don’t get nearly enough credit. But I’ve been told that I’m not allowed to choose her, so I’m going to go with Marc de la Concha. He’s the Director of Education at Cape Fear Regional Theatre, and I am simply astounded by the work he does. The talent he fosters, the productions he creates, and the classes he offers… it’s incredible. THEN you add on top of that his live performances (did y’all see “Shrek”?) – I can’t get through a performance with Marc in it without crying. Either he’s so moving and truthful that it moves my soul, or he’s so flipping funny that my eyes leak with laughter. That man is a gem, and we are so lucky to have him in this town.
What is one of your current artistic experiments? I currently work at The Sweet Palette, peddling cupcakes. I just sell them–I am not nearly talented enough to make them. But the reason I even got this job was because they have this incredible gallery/performance space, and CFRT did a show there that I was in, and so I got to know them over a few weeks. When they started getting more business after Covid and needed more staff, they hired me to sling desserts, with the goal that we could really start using their gallery to its full potential. I’m really excited about what we can start hosting in that space, and what creativity will be born in that room.
What changed about your practice in 2020? Will you keep this change? Man. Everything changed. I felt like I was really gaining momentum and making headway into the voiceover industry, and then Covid hit, and every single film and stage actor turned to the only thing that was still available: voiceover. The demand stayed the same, and the supply skyrocketed. I had to get *gasp* a “real” job. That job was terrible terrible (don’t worry, it wasn’t Sweet Palette), and it was honestly a pretty bad time to be an actor. My hope is that I can merge this current position at Sweet Palette to cultivate more creativity.
Where do you practice your art? Describe your work space. The most work I do is in my “booth”. It’s the closet of our guest room, and I’ve converted it into a recording studio. I’ve padded the walls, trying to dampen the sound, and have set up my little nest in there. It’s janky, and I love it.
How do you find your subject (next piece, idea, voice)? This is still in flux, and I think it might be for a while. Adapting is never easy, but it’s always necessary. I’m just trying to keep my eyes and ears open for new opportunities, now that the world is starting to open up. My guess is that it will be a partnership with Sweet Palette and their space, and we create something together.
Advice to newer artists in your genre. Listen, and be humble. The minute you think you know better than someone is the minute you become unpleasant to work with. Every person you encounter is an opportunity to learn, as long as you listen to them.
Color of Fayetteville 