Tim Zimmermann is on a Quest for Theatrical Adventure

There is a saying that goes “Jack of All Trades, Master of None”. Tim Zimmermann’s goal is to be a master of as many things as possible, and approaches his crafts–acting, singing, music and producing (with a little bit of dance thrown in for good measure)–with that same acumen. Originally from Philadelphia, his first professional gig was as a singer for the United States Army Reserve band based out of Fort Dix, New Jersey. After a stint in Nashville teaching and recording, Tim boarded the Norwegian Breakaway to perform in their concept rock and roll bar production show “Syd Norman’s Pourhouse.” After 10 months total on the Breakaway, he transitioned to Norwegian Jade, where he performed as a production cast vocalist, traveling the world from Italy to Greece, down through the Middle East and to Southeast Asia. It was there that the Covid-19 Pandemic hit and forced him to return to Fayetteville to stay with family and attempt to rebuild.

Since moving to Fayetteville, Tim has had a wealth of opportunities and his proud to call Fayetteville his current adopted home. He was fortunate to be cast in the Gilbert Theater’s productions of Rope (Granillo), Oedipus Rex (Creon/Corinthian Ambassador) and is preparing to play the role of Bobby Strong in Urinetown: The Musical. He additionally performed the role of Claudio in Much Ado About Nothing with Sweet Tea Shakespeare. He will also be performing with the Fayetteville Dinner Theater in their upcoming show: “Beyond Broadway – Music of Our Time”.

When he is not performing musicals, he is performing his own headliner style shows: “Broadway Blitz” (rock and roll Broadway revue) and “Rockestra”(classic rock revue), using his own self-produced tracks through his digital recording studio “True Fortune Studios”. What will come next for Tim isn’t certain, but he looks forward to each new challenge!

aboard the Norwegian Jade

3 Things you can’t live without & why: In no particular order: My computer I quite literally can’t function logistically without. It’s where I produce all of my music, mix and master, design my shows, write music, research roles, etc. Technology has begun to play such an integral role in what I do.

I also couldn’t live without the support of my family. They are my lifeblood. They have supported me so much throughout this creative journey I’ve been on; I believe I would have given up a long time ago without them.

Finally, though I wouldn’t die without it, my soul thrives on travel and seeing new places/things. I haven’t gotten to do as much traveling as I did before the pandemic, but I hope for all of us to be able to get back to it soon!

Local artist (any genre, Cumberland County preferred) you admire: It’s difficult to pick one! I would say all of the artists I have gotten to perform with at the Gilbert Theater and Sweet Tea Shakespeare.

What is one of your current artistic experiments? My next big adventure is actually one I started a long time ago that I mothballed for a time. It is a rock opera that is also a graphic novel (it will eventually be an app that you can watch and interact with) that I hope to adapt into a stage show. In addition, my two headliner shows Broadway Blitz and Rockestra are always evolving!

What changed about your practice in 2020? Will you keep this change? For me, after I got off the ship, I began to envision myself as a successful artist and work accordingly. Before that I was really afraid to audition and put myself out there, assuming I didn’t have what it takes. With the pandemic I realized that we don’t have forever to make an impact on this world, and so I used 2020 to catch up to my peers. Though 2020 was difficult, it really challenged me to open myself to the world and put myself out there, and I have no intention of stopping any time soon.

“Rope” at Gilbert Theater. photo credit: Jonathan Hornby

Where do you practice your art? Describe your work space. True Fortune Studios! Which is essentially my desk in my bedroom, which is usually a mess and covered with stuff. In addition I have my electric drums and keyboard that I work off of. When not there, I am generally found on stage at the Gilbert Theater, my home away from home. That stage is where everything I do started and I will be forever grateful to it and the people there.

How do you find your subject (next piece, idea, voice)? For acting, I audition for things I find interesting. I try to locate roles that are available that are in my wheelhouse and go out for them. My philosophy is that you can never do too many auditions! I love honing my voice and continuing to push just a little higher. I like to operate at the edge of my comfort zone, so I’m always looking for stuff to adapt into the style I’ve been cultivating.

Advice to newer artists in your genre. Trust yourself as an artist. Whatever your discipline, work harder than you think you should and when you have done that trust that what you do will be awesome. Don’t ever believe you can’t be successful, and if ever you find yourself asking yourself “Why me? What makes me think I can be successful?” turn it around and ask yourself “why not me?” Then just enjoy the ride!

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